
Explore by Theme
Browse crime films by recurring themes, psychology, relationships, settings, institutions, and motifs.

Mobster’s World Blown to Bits in an Easter Wave of Terror Contains spoilers ‘The Long Good Friday’ (1980) As Good Friday approaches it’s fitting that we look at one of the slender number of crime films set on the holiest of Christian holy days. In filmdom, the connection between religious rites and acts of criminal…

Gangster films were already a cinematic staple when a new kind of crime film began to emerge in the early 1940s. Films noir captured the popular imagination for a couple of decades after World War II. While some of the post war films are about mobsters, they’re different in tone from 1930s gangster films. Warner…

Contains Spoilers ‘The Man Who Wasn’t There’ (2001) Ed Crane (Billy Bob Thornton) is the kind of guy who can enter or leave a roomful of people without a single soul taking notice. He’s got a knack for blending into the background, barely leaving an impression on anyone who cares to chat or even glance…

“I want to be a contractor,” announces Claude (Vince Edwards), a determined, 30ish guy in the middle of an unusual kind of job interview at the start of “Murder by Contract” (1958). The shot cuts to an abrupt closeup as he utters those words, emphasizing that this is a turning point in his life, the…

When you think of noir, it’s probably not 18th century British author Samuel Johnson who first springs to mind. But his most famous quote really nails the crux of “D.O.A.”: “When a man knows he is to be hanged in a fortnight, it concentrates his mind wonderfully.” Apt words for Frank Bigelow ( Edmond O’Brien),…

Winter is upon us, and in many places snow has either fallen or soon will. So it’s time to consider noirs that feature arctic blasts of frigid air and piles of the white stuff. Can’t think of any? Understandable — there aren’t a lot of them. Snowfall plays a dramatic role in a handful noirs…

“Never Open That Door” (1952) Blu-ray and DVD, Flicker Alley (158 minutes) A lot of movies never quite get author Cornell Woolrich’s tone right, especially the films made in Hollywood. Their forced upbeat endings just don’t do justice to the pitch black darkness of his novels and short stories. That’s not the case with the…