crimeonfilm.com

  • Imposter noir: 51 films about swapping, losing and faking identities

    Imposter noir: 51 films about swapping, losing and faking identities

    Olivia de Havilland, ‘The Dark Mirror’ (1946). “There is only one plot – things are not what they seem.”   — Jim Thompson Let’s say you’re a character in a film noir. It’s likely that someone who you’re rubbing elbows with is not who they say they are. For that matter, you may not be who…

  • ‘Pale Flower’: Gambling dens, yakuza and a mysterious woman who lives on the edge

    ‘Pale Flower’: Gambling dens, yakuza and a mysterious woman who lives on the edge

    “Pale Flower” It’s clear from the start that Masahiro Shinoda’s “Pale Flower” isn’t your typical yakuza picture — the kind that’s simmered in the Japanese underworld’s intricate codes of conduct, with a lead character who agonizes over prickly themes such as honor and loyalty. “Pale Flower” covers the same slice of society as other yakuza…

  • ‘The Killers’: A much loved noir that’s the spitting image of another American classic

    ‘The Killers’: A much loved noir that’s the spitting image of another American classic

    “The Killers” (1946) Some say “The Killers” is the “Citizen Kane” of noir, but how can that be? One is a beloved noir, the story behind a brutal murder of a washed up prizefighter. The other, a fictional biography of a media tycoon, loosely based on the life of William Randolph Hearst. It’s like comparing…

  • Off the Hook: A bedridden heiress glimpses the face of doom in ‘Sorry, Wrong Number’

    Off the Hook: A bedridden heiress glimpses the face of doom in ‘Sorry, Wrong Number’

    ‘Sorry, Wrong Number’ (1948) Barbara Stanwyck plays Leona Stevenson, a woman markedly dissimilar to Stanwyck’s cold blooded Phyllis Dietrichson of “Double Indemnity” four years before. Leona is no femme fatale — she’s a femme in jeopardy.  That alone ought to make us feel sympathy for her, but she’s a hard one to warm up to.…

  • ‘Out of the Past’: 13 Signs that Jane Greer will Destroy You

    ‘Out of the Past’: 13 Signs that Jane Greer will Destroy You

    ‘Out of the Past’ (1947) You can’t say that Jeff Bailey (Robert Mitchum) had no way of knowing what he was in for. A shamus ought to be able to see things that a civilian would miss, even when he’s dazzled by the gorgeous and perfidious Kathie Moffat (Jane Greer). How inevitable was it that…

  • The Big Knockoff: 14 Films With Armored Car Heists

    The Big Knockoff: 14 Films With Armored Car Heists

      If the movies are any indication, the 1940s and ’50s, especially the ’50s, must have been the golden age of armored car robberies — they were getting knocked over like clay pigeons in a shooting gallery. A common armored car robbery movie plot: Ex-con, recently paroled, finds a crummy job. Meets a girl. Wants…

  • ‘The Long Good Friday’: The British Gangster Classic That Predicted the Future

    ‘The Long Good Friday’: The British Gangster Classic That Predicted the Future

    Mobster’s World Blown to Bits in an Easter Wave of Terror
 Contains spoilers ‘The Long Good Friday’ (1980) As Good Friday approaches it’s fitting that we look at one of the slender number of crime films set on the holiest of Christian holy days. In filmdom, the connection between religious rites and acts of criminal…

  • When Gangsters Collide with the Dark Side: 65 Mobbed Up Films Noir

    When Gangsters Collide with the Dark Side: 65 Mobbed Up Films Noir

    Gangster films were already a cinematic staple when a new kind of crime film began to emerge in the early 1940s. Films noir captured the popular imagination for a couple of decades after World War II. While some of the post war films are about mobsters, they’re different in tone from 1930s gangster films. Warner…

  • Coen Brothers Film : An Ordinary Man Caught in Fate’s Clutches

    Coen Brothers Film : An Ordinary Man Caught in Fate’s Clutches

    Contains Spoilers ‘The Man Who Wasn’t There’ (2001) Ed Crane (Billy Bob Thornton) is the kind of guy who can enter or leave a roomful of people without a single soul taking notice. He’s got a knack for blending into the background, barely leaving an impression on anyone who cares to chat or even glance…

  • Dreams of a comfortable life in the suburbs can lead a man to murder

    Dreams of a comfortable life in the suburbs can lead a man to murder

    “I want to be a contractor,” announces Claude (Vince Edwards), a determined, 30ish guy in the middle of an unusual kind of job interview at the start of “Murder by Contract” (1958). The shot cuts to an abrupt closeup as he utters those words, emphasizing that this is a turning point in his life, the…