Tag: Humphrey Bogart
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What Really Makes a Film Noir? The Noir Rorschach Test
Let’s be clear: film noir isn’t a genre. Westerns, war movies and horror films are all genre pictures with motifs that signal the kind of film you’re watching. But noir isn’t as easy to spot. There are noir cliches — shadows cast by venetian blinds, voice-over narrations by weary, defeated perps and fall guys, and…
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Crime tourists, Part I: Yanks behaving badly in foreign lands
Orson Welles, ‘The Third Man’ (1949). By Paul Parcellin Film noir loves morally sketchy locales — the kind of places where law and order is on life support and police can be manipulated like a vending machine. Like America’s Wild West, post-war Europe and Asia’s rubble strewn roadways were a magnet for drifters, bootleggers, grifters…
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Live it up! 11 essential nightclubs of noir
Karen Morley, ‘Scarface’ (1932) In noir, nightclubs are smokey hideaways where criminality thrives under moody lighting. Ritzier than typical barrooms, they are havens for hedonists and the racketeer elite. Crucial to these nightspots are floorshows. A chanteuse may whisper a torch song designed to torment an ex-lover sitting ringside. Her words spell out jagged details…
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Burn, Hollywood, burn! Four noirs reveal the horrors of the screenwriting trade
Humphrey Bogart, Gloria Grahame, ‘In a Lonely Place’ (1950). You’ve probably heard that screenwriters get little respect in the big town, and by many accounts that’s true. They labor in isolation, punching out fresh ideas, pouring their deepest emotions onto their pages only to have their hearts broken. Their masterpieces are rewritten by faceless studio…
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Could You Repeat That? — 36 Noirs That Unfold In Flashbacks
Is that film you’re watching a noir? Here’s one semi-reliable way to tell: Look for flashbacks. In noir, flashbacks show us the stuff that gets characters into the mess that they are in, and are no doubt trying to wriggle out of. Did that someone betray a spouse, steal from an employer or send another…
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Peter Lorre’s First Starring Role Was a Hit — That Was the Problem
Renowned character actor Peter Lorre created many indelible roles in groundbreaking noirs, thrillers and films of other genres while achieving greatness in Hollywood. Since June 26th marks the 120th anniversary of his birth, this is a good time to look back at some of his remarkable performances from the 1930s onward. Born László Löwenstein in…
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In Noir, Shutter Bugs Fight and Sometimes Commit Crimes
Lighting and photographic style play an outsized role in crime dramas of all kinds, including film noir. But then there are the noirs and thrillers that put a camera in front of the camera — or to be more precise, they’re films in which a photographer and his or her pictures play a key role…
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Gumshoe Noir: White Knights, Reluctant Heroes, Rotten Apples
Private eyes, those lone rangers who traverse bleak urban landscapes, are romanticized in books, radio dramas and movies as upholders of right and wrong. They do the dirty work that the cops can’t or won’t touch. Often hired by those who are monied, corrupt, or both, they’re the go-to guys when it comes to cleaning…
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More Than Just a Gunsel: Elisha Cook Jr. Was the Face of Noir
When he died in 1995 at the age of 91, Elisha Cook Jr. was the last surviving cast memberof John Huston’s 1941 film noir classic “The Maltese Falcon,” whose players included Humphrey Bogart, Sydney Greenstreet, Peter Lorre and Mary Astor. While his was a supporting role, Cook left an indelible impression that remains intact more…
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Knockout Punch Noir: The Raw-Boned Fight Game
You’d be hard pressed to find a sport more noir-like than professional boxing. It’s got all of the elements of noir rolled into a savage athletic competition whose object is to knock an opponent unconscious and perhaps spill his blood. Boxing brings with it the stench of mobsters, illegal gambling, fixed fights, disabling violence and…