Tag: Edward G. Robinson
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Pure noir exposes crime films’ darkest, most pessimistic core
Noir comes in a number of hybrid varieties, including gangster films, heists, police procedurals and private detective stories. But some noirs don’t use standard crime film types as their foundation. Pure noirs, told from the point of view of characters who are neither career criminals nor law enforcers, plainly reveal the genre’s darkest tenets: that…
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New York noir: 20 films that explore the big city’s dark corners
John Garfield, Thomas Gomez, ‘Force of Evil’ (1948). It might not come as news to you that noirs set in New York City look a lot different from the ones taking place in Los Angeles. The City of Angels is a sun bleached sprawl of low buildings between the ocean and desert. New York is…
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Live it up! 11 essential nightclubs of noir
Karen Morley, ‘Scarface’ (1932) In noir, nightclubs are smokey hideaways where criminality thrives under moody lighting. Ritzier than typical barrooms, they are havens for hedonists and the racketeer elite. Crucial to these nightspots are floorshows. A chanteuse may whisper a torch song designed to torment an ex-lover sitting ringside. Her words spell out jagged details…
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‘Scarlet Street’ at 80: Flirtations with a femme fatale can often lead to trouble — and sometimes murder
At her service. Joan Bennett, Edward G. Robinson, ‘Scarlet Street’ (1945). Contains spoilers When “Scarlet Street” premiered 80 years ago this month it was not uniformly praised by critics, and several cities outright banned it due to its dark content. The film hinted at such taboo topics as sex out of wedlock and prostitution, and…