Tag: Burt Lancaster
-
In Noir, Life Insurance Appeals to Profit-Minded Killers
Few noir plots are as coldly logical as insurance murder. Unlike inheritance killings, which require wealth, insurance turns death into an accessible commodity. It democratizes murder. Movie gangsters who kill often say it’s strictly business, nothing personal. But with insurance fraudsters, it’s typically a family affair, and it’s always deeply personal. Here are some noirs…
-
Crime tourists, Part II: Americans clash with the underworld in foreign lands
DeForest Kelley, Cameron Mitchell, Robert Ryan, (unidentified), Robert Stack, ‘House of Bamboo’ (1955). We’ve already talked about films with Americans acting badly overseas . It seems that whenever a region is beset by war, a pack of jackals descends on the still twitching carcass of civilization to devour whatever meat is left on its bones.…
-
‘The Killers’: A much loved noir that’s the spitting image of another American classic
“The Killers” (1946) Some say “The Killers” is the “Citizen Kane” of noir, but how can that be? One is a beloved noir, the story behind a brutal murder of a washed up prizefighter. The other, a fictional biography of a media tycoon, loosely based on the life of William Randolph Hearst. It’s like comparing…
-
Off the Hook: A bedridden heiress glimpses the face of doom in ‘Sorry, Wrong Number’
‘Sorry, Wrong Number’ (1948) Barbara Stanwyck plays Leona Stevenson, a woman markedly dissimilar to Stanwyck’s cold blooded Phyllis Dietrichson of “Double Indemnity” four years before. Leona is no femme fatale — she’s a femme in jeopardy. That alone ought to make us feel sympathy for her, but she’s a hard one to warm up to.…
-
Could You Repeat That? — 36 Noirs That Unfold In Flashbacks
Is that film you’re watching a noir? Here’s one semi-reliable way to tell: Look for flashbacks. In noir, flashbacks show us the stuff that gets characters into the mess that they are in, and are no doubt trying to wriggle out of. Did that someone betray a spouse, steal from an employer or send another…
-
‘The Killers’: Nagging Questions In a Haze of Gunsmoke
In both versions, sports heroes have tragic downfalls and alluring women enter the picture to offer a helping hand — it doesn’t turn out well for the wounded competitors “The Killers” (1946) Robert Siodmak (director) — “The Killers” (1964) Don Siegel (director), The Criterion Collection, [Blu-ray] Why on earth would a man facing the barrel…
-
Noir Must Be Shot in Black and White, Right? Guess Again
I can already hear the howls of protest over the idea that film noir can be in color, so those who insist that color is verboten in noir will probably want to sit this one out. We all know that noir is usually shot on black and white film, but the luscious hues of those…
-
Lovesick Wanderer Returns … to a Double Cross
The magnetic attraction between Steve Thompson (Burt Lancaster) and Anna (Yvonne DeCarlo) is the stuff that drives “Criss Cross” toward its dramatic and deadly conclusion. Steve returns to town after two year’s absence and the first thing on his mind is rekindling their romance. In fact, it’s probably the only reason that he returned. As…
-
Ripped From the Headlines: True Crime Inspired Film Noir
It’s no wonder that Hollywood in the 1940s and ’50s scooped up lurid true crime stories and made hard-hitting, gritty dramas out of them. Following the war, the public’s appetite for rough textured tales could not be surpassed. Cold, savage murders that bled off the front page of tabloid scandal sheets was the stuff that…
-
Meet the Press: Bullies, Brutes and News Hounds of Noir
Warning: Spoilers ahead When we see a disheveled, groggy Richard Conte breaking into his own office in the middle of the night, desperate to record a story on the company’s Dictaphone machine, you know you’re watching noir. The scene could be set in almost any kind of office but it feels most at home in…