Author: pparcellin@gmail.com

How a Real-Life Prison Sentence Added Another Dimension to Mitchum’s Performance as a Woozy Doctor on the Run in a Nightmarish Flight From Justice

Robert Mitchum, “Where Danger Lives” (1950). By Paul Parcellin This article contains spoilers A lot of red flags should go up when Dr. Jeff Cameron (Robert Mitchum) meets Margo Lannington (Faith Domergue). But she’s a real dish and this is noir, so naturally he ignores the many warning signposts screaming at him that he’s about…
The Big Caper: Burning Desire For a Life of Luxury Drives Career Criminal to Score a Cool Million Bucks

Roxanne Arlen, Paul Picerni, Corey Allen, “The Big Caper” (1957). Heist films must always be centered around a carefully thought-out plan — and no matter how artfully arranged, the scheme will sooner or later go horribly wrong. Lots of stuff can cause a heist to crash and burn: a flaw in the plan; unforeseen circumstances;…
‘Hollering Hank,’ A Director of Noble Lineage, Turned Out Landmark Semi-Documentary Crime Dramas That Capture the Unease of Post-World War II America

Lucille Ball, Mark Stevens, “The Dark Corner” (1946). Director Henry Hathaway is probably best known for the westerns he made with legendary stars, including John Wayne, Gary Cooper, Randolph Scott, Richard Widmark and Henry Fonda, among others. But his semi-documentary, noir-tinged crime films of the 1940s-‘50s should have earned him a more prominent place among…
Riding an Express Train to Hell: In Noir and Thrillers, Passengers Embark on Dark Journeys Aboard Shadowy Railroad Cars Hurtling Toward Uncertain Destinations

Charles McGraw, Don Haggerty, Marie Windsor, Don Beddoe, “The Narrow Margin” (1952). This article contains spoilers By Paul Parcellin Rail travel is a throwback to the days of neckties, breast pocket handkerchiefs and fedoras, so naturally it pops up often in films noir. It’s safe to say that if you’re watching a black and white…
Noir After World War II: Damaged Vets Strain to Re-enter Civilian Life as America Stares Down Fascist Conspiracies and a Seething Nuclear Nightmare

Gaby Rodgers, “Kiss Me Deadly” (1955). This Post Contains Spoilers By Paul Parcellin American films noir changed a lot after the end of World War II. The standard setups — a guy, a girl, a gun, a pile of cash, gave way to new storylines and different kinds of characters. We began to see G.I.s…
Knockout Punch Noir: The Runyonesque, Raw-Boned World of Prizefighting Inspires Tales of Corruption, Violence and Redemption

Humphrey Bogart, “The Harder They Fall” (1956). By Paul Parcellin This post contains spoilers, so you may want to see the films before reading the article. You’d be hard pressed to find a sport more noir-like than professional boxing. It’s got all of the elements of noir rolled into a savage athletic competition whose object…
Acting Through Clenched Teeth: Quirky Timothy Carey Performed in a Number of Noirs and Neo-Noirs … and Was Kicked Off Almost as Many as He Appeared In

Timothy Carey, “The Killing” (1956). By Paul Parcellin Timothy Carey was the kind of actor who refused to fade into the background — even as a movie extra. That cost him a job or two, including one of his earliest acting gigs, an occurrence that would prove all too typical in his professional life. He’d…
One American Author’s Writings Inspired Multiple Films Noir, Yet His Name Is Less Well Known Than Other Top Noir Storytellers of His Generation

Edward G. Robinson, “Night Has a Thousand Eyes” (1948). By Paul Parcellin By any measure, Cornell Woolrich was a virtual human writing machine who cranked out fiction at a feverish pace. He’s credited with 22 novels under his name, 17 more under the pseudonym William Irish, two more as George Hopley (including one of the…
Femmes Fatale Are Deceptively Charming, Dangerous and Often Lethal; But One Among Them Tips the Scales When It Comes to Evil Doings — And She’s Probably Not The One You’re Thinking Of

Elisha Cook Jr., Marie Windsor, “The Killing” (1956). By Paul Parcellin Be forewarned: Many spoilers are included throughout the text below. Sure, Phyllis Dietrichson (Barbara Stanwyck), the husband liquidating murderess of “Double Indemnity” (1944) might be your go-to gal whenever the term “femme fatale” is mentioned. She’s as coolly detached and methodical as a hangman,…
The Wild Man of Hollywood Played Raucous, Rage-Filled Human Steamrollers Onscreen, and His Offscreen Life Was Nearly as Outrageous

Lawrence Tierney, “The Devil Thumbs a Ride” (1947). By Paul Parcellin In a career that spanned over 50 years, Lawrence Tierney played mobsters, tough guys and cold blooded killers, among an assortment of other roles. His on-screen persona communicated a sense of unrestrained intimidation behind a dead-eyed stare. The characters he portrayed were capable of…