Author: pparcellin@gmail.com
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‘Sunset Blvd.’: A Stranger Original Opening Sequence Was Scrapped
Erich von Stroheim, William Holden, Gloria Swanson,“Sunset Boulevard” (1950). Preview audiences were left stunned, oddly amused and utterly confused At the start of “Sunset Boulevard,” hapless screenwriter Joe Gillis (William Holden) floats face-down in a swimming pool with several bullet holes punched into his torso. He’d been the long-term houseguest of deranged former silent screen…
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In Noir, Shutter Bugs Fight and Sometimes Commit Crimes
Lighting and photographic style play an outsized role in crime dramas of all kinds, including film noir. But then there are the noirs and thrillers that put a camera in front of the camera — or to be more precise, they’re films in which a photographer and his or her pictures play a key role…
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Kings of the Road: Noir’s Alienated, Disenchanted Drifters
Film noir is full of cheap hotel rooms, train stations, roadside diners, filling stations, bus depots — places that transients inhabit while on their way somewhere, or perhaps rambling toward nowhere in particular. A compulsive desire to take to the highways is part of the American psyche, frequently rhapsodized in popular culture as the restless…
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Is It or Isn’t It? Does “Clash by Night” Make the Cut as Noir?
“Clash by Night” has the look and feel of noir, but not everyone thinks of it that way. It stars Barbara Stanwyck and Robert Ryan, two giants of the shadowy crime dramas of the 1940s and ‘50s that define those dark films. Some might say they make the perfect brooding noir couple. If that’s not…
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‘The Night of the Hunter’: Babes in the Woods Face Evil
I first saw “The Night of the Hunter” (1955) 20-plus years ago and walked away impressed but not particularly in love with the movie, and having said that I know what many of you are thinking: Heresy! I have no real excuse for my initial reaction. The Charles Laughton directed drama, the only film he…
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Why Watching ‘Lady in the Lake’ Requires Mind Over Matter Skills
I have a confession to make: For as long as I’ve watched film noir (and I don’t care to go into exactly how long that is) I’d never sat down and watched “Lady in the Lake” (1947) until very recently. That’s not really a stunner, I guess. It’s not widely regarded as a top-shelf Raymond…
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Man From Nowhere: Who is Larry Cravat?
“Somewhere in the Night” (1946) George Taylor (John Hodiak) awakens in a military hospital, and to his horror discovers that his memory has been wiped clean by a serious wound he received in the war. He can’t remember his name or anything of his past, but he hides his amnesia from the doctors to prevent…
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Murder, Suspense, Mystery in Henri-Georges Clouzot Films
“Quai des Orfèvres” is a Gaulish police procedural that holds its own with any American made crime drama of that era. The title refers to the location of the central police headquarters in Paris, where some of the film’s action takes place. The story is uncomplicated enough to make it seem almost routine, but as the…
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Jean-Pierre Melville’s Dark Visions of Parisian Gangsters
Two films about the Parisian underworld are as different as fire and water. One is awash in old world charm, a nostalgia-tinged tale of the gangsters and gamblers of Montmartre. The other takes place in a Paris at odds with the city’s romanticized past. It’s an icy portrait of an outlaw who’s more a cypher…
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Gumshoe Noir: White Knights, Reluctant Heroes, Rotten Apples
Private eyes, those lone rangers who traverse bleak urban landscapes, are romanticized in books, radio dramas and movies as upholders of right and wrong. They do the dirty work that the cops can’t or won’t touch. Often hired by those who are monied, corrupt, or both, they’re the go-to guys when it comes to cleaning…