Tag: Rita Hayworth
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Noir mirrors: A broken world reflected in shattered glass
In the often disjointed world of film noir, a mirror is seldom just a mirror. Those silvery reflective surfaces can suggest a lot of things: paranoia, dual personalities and narcissism, to name just a few. They also distort reality. Facing mirrors may reflect the image of a figure into infinity, suggesting a splintered, dissociated personality.…
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Crime tourists, Part II: Americans clash with the underworld in foreign lands
DeForest Kelley, Cameron Mitchell, Robert Ryan, (unidentified), Robert Stack, ‘House of Bamboo’ (1955). We’ve already talked about films with Americans overseas acting badly. It seems that whenever a region is beset by war, a pack of jackals descends on the still twitching carcass of civilization to devour whatever meat is left on its bones. In…
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Crime tourists, Part I: Yanks behaving badly in foreign lands
Orson Welles, ‘The Third Man’ (1949). By Paul Parcellin Film noir loves morally sketchy locales — the kind of places where law and order is on life support and police can be manipulated like a vending machine. Like America’s Wild West, post-war Europe and Asia’s rubble strewn roadways were a magnet for drifters, bootleggers, grifters…
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Live it up! 11 essential nightclubs of noir
Karen Morley, ‘Scarface’ (1932) In noir, nightclubs are smokey hideaways where criminality thrives under moody lighting. Ritzier than typical barrooms, they are havens for hedonists and the racketeer elite. Crucial to these nightspots are floorshows. A chanteuse may whisper a torch song designed to torment an ex-lover sitting ringside. Her words spell out jagged details…