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Tag: 1950s

  • Mark Stevens: his quartet of searing films noir still light up screens today

    Mark Stevens: his quartet of searing films noir still light up screens today

    Lucille Ball, Mark Stevens, ‘The Dark Corner’ (1946). By Paul Parcellin Mark Stevens made a string of taut crime dramas in the 1940s and ’50s that still resonate today. He acted in dozens of films, from westerns, war pictures to musicals and comedies, and directed two of his self-produced noirs as well as some hardboiled…

  • Dark Candy in Your Stocking: 25 Christmas Noirs

    Dark Candy in Your Stocking: 25 Christmas Noirs

    Sometimes you need relief from the hectic days that close out the year. From Thanksgiving ’til New Year’s Day we live with a sense of renewed optimism and anticipation as the new year approaches — well, some of us do, anyway. Chances are you’ll desire a break from the season of cheer, something to counter-balance…

  • Express Train to Hell: When Noir Goes Off the Rails

    Express Train to Hell: When Noir Goes Off the Rails

    It’s safe to say that if you’re watching a black and white film with a handcuffed criminal being shuffled aboard a Pullman car, you just might be watching noir. Trains are not only the popular mode of transportation in noir, they’re often a stage where dramatic scenes play out. They’re a location where solo travelers…

  • Post-War Noir: Damaged Vets Strain to Re-enter Civilian Life

    Post-War Noir: Damaged Vets Strain to Re-enter Civilian Life

    American films noir changed a lot after the end of World War II. The standard setups — a guy, a girl, a gun, a pile of cash, gave way to new storylines and different kinds of characters. We began to see G.I.s returning home from the war with debilitating physical and psychological wounds that made…

  • Wild Man Lawrence Tierney: A Raucous Career In Hollywood

    Wild Man Lawrence Tierney: A Raucous Career In Hollywood

    In a career that spanned over 50 years, Lawrence Tierney played mobsters, tough guys and cold blooded killers, among an assortment of other roles. His on-screen persona communicated a sense of unrestrained intimidation behind a dead-eyed stare. The characters he portrayed were capable of stunning, sadistic violence, and his performances were often jagged and crude…