Category: vintage film
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One Revealing Moment: Something that Happens in “The Night of the Hunter” Made Me Rethink My First Impression of the Film and See It in an Entirely New Light
Robert Mitchum, “The Night of the Hunter” (1955). By Paul Parcellin I first saw “The Night of the Hunter” (1955) around 20 or so years ago and walked away impressed but not particularly in love with the movie, and having said that I know what many of you are thinking: Heresy! I have no real…
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Three Films that Set a Noir Mood: How John Alton Helped Define the Light and Shadows of Film Noir
Lynn Bari, Cathy O’Donnell, “The Spiritualist” (1948). ‘It’s not what you light, it’s what you don’t light.’ — John Alton As legend has it, in the summer of 1923…
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Knockout Punch Noir: The Runyonesque, Raw-Boned World of Prizefighting Inspires Tales of Corruption, Violence and Redemption
Humphrey Bogart, “The Harder They Fall” (1956). By Paul Parcellin This post contains spoilers, so you may want to see the films before reading the article. You’d be hard pressed to find a sport more noir-like than professional boxing. It’s got all of the elements of noir rolled into a savage athletic competition whose object…
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One American Author’s Writings Inspired Multiple Films Noir, Yet His Name Is Less Well Known Than Other Top Noir Storytellers of His Generation
Edward G. Robinson, “Night Has a Thousand Eyes” (1948). By Paul Parcellin By any measure, Cornell Woolrich was a virtual human writing machine who cranked out fiction at a feverish pace. He’s credited with 22 novels under his name, 17 more under the pseudonym William Irish, two more as George Hopley (including one of the…
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Femmes Fatale Are Deceptively Charming, Dangerous and Often Lethal; But One Among Them Tips the Scales When It Comes to Evil Doings — And She’s Probably Not The One You’re Thinking Of
Elisha Cook Jr., Marie Windsor, “The Killing” (1956). By Paul Parcellin Be forewarned: Many spoilers are included throughout the text below. Sure, Phyllis Dietrichson (Barbara Stanwyck), the husband liquidating murderess of “Double Indemnity” (1944) might be your go-to gal whenever the term “femme fatale” is mentioned. She’s as coolly detached and methodical as a hangman,…
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Danger Lurks in the Shadows of Noir-Tinged ‘Cat People’
Under hypnosis, Simone Simon, ‘Cat People’ (1942). By Paul Parcellin This article contains spoilers, so you may want to see the film before reading it. Director Jacque Tourneur said “The less you see, the more you believe” and his film, “Cat People” (1942), proves his theory. It shows how a movie can spark an audience’s…
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‘Double Indemnity’: Two On a Conveyor Belt Toward Doom
Fred MacMurray, Edward G. Robinson, ‘Double Indemnity’ (1944). This article contains many SPOILERS, so if you haven’t seen the film yet be forewarned. By Paul Parcellin In “Double Indemnity” (1944), housewife Phyllis Dietrichson (Barbara Stanwyck) seduces insurance salesman Walter Neff (Fred MacMurray) and gets him to kill her husband. She’s after a big payout from…
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‘Highway 301’: There’s a Killer on the Road
Wally Cassell, Steve Cochran, Richard Egan, Edward Norris, Robert Webber, ‘Highway 301’ (1950). It’s a wonder that anyone gets through the first few minutes of “Highway 301,” a noir based on the true-life crime wave perpetrated by an outfit called the Tri-State Gang. The film is a taut little thriller that starts off with wooden…
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What, Another Insurance Man is Out to Beat the System?
Charles McGraw holds a gun onworrying Peter Brocco in ‘Roadblock.’ On the face of it, “Roadblock” (1951) is a tall tale filled with absurdities. An insurance investigator who can’t conceive of how easily he might get caught if he robs one of his employer’s clients. He’s the same guy who catches perps who rip off…
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‘The Big Clock’: Time Runs Short for Crime Mag Editor
Charles Laughton and Ray Milland in ‘The Big Clock.’ At first glance, “The Big Clock” is merely a workplace crime drama set in a New York magazine publishing firm, a cold-blooded enterprise that gives new meaning to the phrase, “This job is killing me.” But beneath its surface, the film is satire, lampooning corporate…