Category: film noir
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The Key to Marlowe’s Conundrum is In a Can of Cat Food
Elliot Gould, “The Long Goodbye” (1973) One of my favorite neo-noirs is “The Long Goodbye” (1973), Robert Altman’s adaptation of the Raymond Chandler novel of the same title, published 20 years earlier. Altman’s most drastic alteration of Chandler’s opus is placing the story in the 1970s instead of eight years after the end of World…
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‘Highway 301’: There’s a Killer on the Road
Wally Cassell, Steve Cochran, Richard Egan, Edward Norris, Robert Webber, ‘Highway 301’ (1950). It’s a wonder that anyone gets through the first few minutes of “Highway 301,” a noir based on the true-life crime wave perpetrated by an outfit called the Tri-State Gang. The film is a taut little thriller that starts off with wooden…
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When Tinsel Town Turns the Camera on Itself
Rod Steiger, ‘The Big Knife’ (1955). Face it, scandals make good news copy and the Los Angeles entertainment industry produces a bumper crop of the stuff that keeps gossip writers in business. From Rosco “Fatty” Arbuckle to Harvey Weinstein the press has never been at a loss for words when it comes to movie industry…
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‘Eddie Coyle’ Introduced Us to ‘Boston Noir’
Robert Mitchum in ‘The Friends of Eddie Coyle’ (1973). How Boston labor union muscle terrorized Hollywood film crews No one was quite ready for the grittiness of “The Friends of Eddie Coyle” when it arrived in theaters in 1973. It didn’t look like most films that Hollywood turned out — it had a certain rawness…
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Grifter Aims to Separate a Widow from her Fortune
John Garfield, Geraldine Fitzgerald and Walter Brennan in ‘Nobody Lives Forever’ (1946). By Paul Parcellin As conmen go, Nick Blake (John Garfield) is more likeable than your average grifter. A bit out of practice, he’s ready to get back into the flim-flam game. But first, he’s got a score to settle. In “Nobody Lives Forever” (1946),…
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‘L.A. Confidential’: Wounded Cops Take On the System
From left, Det. Ed Exly (Guy Pearce), Det. Bud White (Russell Crowe) and Det. Jack Vincennes (Kevin Spacey). “L.A. Confidential” just had its 25th anniversary and that makes us look anew at the astounding saga of police corruption in the City of Angels, circa 1953. A quarter of a century later the film’s authentic retro look,…
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Noir Directors and their Eyepatches
An eyepatch can make a director look like a badass and that’s a good thing in the famously brutal movie biz. Sure, a lot of them are scary enough without a patch, but put a piece of black fabric over an eye and your game is automatically upped exponentially. Cranky, spoiled actors, pushy studio execs…
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What, Another Insurance Man is Out to Beat the System?
Charles McGraw holds a gun onworrying Peter Brocco in ‘Roadblock.’ On the face of it, “Roadblock” (1951) is a tall tale filled with absurdities. An insurance investigator who can’t conceive of how easily he might get caught if he robs one of his employer’s clients. He’s the same guy who catches perps who rip off…
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Out of the Shadows (and onto the Cathode Ray Tube)
Raymond Burr in ‘Pitfall’ (1948). Film noir heavies and second bananas of the 1940s got respectable in the late ‘50s and ‘60s when they morphed into TV doctors, lawyers and sitcom moms and pops. But could they ever wash the stage blood off their hands? You mean Mom and Pop were once arch criminals? Jeepers!…
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‘The Big Clock’: Time Runs Short for Crime Mag Editor
Charles Laughton and Ray Milland in ‘The Big Clock.’ At first glance, “The Big Clock” is merely a workplace crime drama set in a New York magazine publishing firm, a cold-blooded enterprise that gives new meaning to the phrase, “This job is killing me.” But beneath its surface, the film is satire, lampooning corporate…