Category: David Hemmings
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Pop! Goes the Flashbulb: In Noir, Photographers Did It the Old Fashioned Way, and their Pictures Usually Turned the Town, and Crime Investigations, Upside Down
Howard Duff snaps a candid shot in “Shakedown” (1950). Contains Spoilers By Paul Parcellin Lighting and photographic style play an outsized role in crime dramas of all kinds, including film noir. But then there are the noirs and thrillers that put a camera in front of the camera — or to be more precise, they’re…