Category: crime films
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New York noir: 20 films that explore the big city’s dark corners
John Garfield, Thomas Gomez, ‘Force of Evil’ (1948). By Paul Parcellin It might not come as news to you that noirs set in New York City look a lot different from the ones taking place in Los Angeles. The City of Angels is a sun bleached sprawl of low buildings between the ocean and desert.…
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Burn, Hollywood, burn! Four noirs reveal the horrors of the screenwriting trade
Humphrey Bogart, Gloria Grahame, ‘In a Lonely Place’ (1950). By Paul Parcellin You’ve probably heard that screenwriters get little respect in the big town, and by many accounts that’s true. They labor in isolation, punching out fresh ideas, pouring their deepest emotions onto their pages only to have their hearts broken. Their masterpieces are rewritten…
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Imposter noir: 51 films about swapping, losing and faking identities
Olivia de Havilland, ‘The Dark Mirror’ (1946). “There is only one plot – things are not what they seem.” — Jim Thompson By Paul Parcellin Let’s say you’re a character in a film noir. It’s likely that someone who you’re rubbing elbows with is not who they say they are. For that matter, you may…
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Dark Candy in Your Stocking: 25 Christmas Noirs
Robert Montgomery, “Lady in the Lake” (1946), an odd seasonal thriller. By Paul Parcellin Sometimes you need relief from the hectic days that close out the year. From Thanksgiving ’til New Year’s Day we live with a sense of renewed optimism and anticipation as the new year approaches — well, some of us do, anyway.…
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Peter Lorre: His first starring role was a massive hit and one of the most influential works of art in the history of film — and that was the problem
Peter Lorre, “M” (1931). An unforgettable psychological portrait. By Paul Parcellin Renowned character actor Peter Lorre created many indelible roles in groundbreaking noirs, thrillers and films of other genres while achieving greatness in Hollywood. Since June 26th marks the 120th anniversary of his birth, this is a good time to look back at some of…
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An American Story: Murder In the Living Room
Left: Gloria Swanson, William Holden, “Sunset Blvd. (1950)Center: Gene Nelson, Phyllis Kirk, Sterling Hayden, “Crime Wave” (1953)Right: David Janssen, “The Fugitive” (1963). By Paul Parcellin The first time I saw a film noir I didn’t know what I was watching. Sure, I could tell that it was a crime film, a detective story, a mystery,…
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Two Couples Who Murder: “Double Indemnity” Faces Off Against “Body Heat” — And It’s Not Even Close
Left, Kathleen Turner, William Hurt, “Body Heat” (1981). Right, Barbara Stanwyck, Fred MacMurray, “Double Indemnity” (1944). Warning: Contains Spoilers By Paul Parcellin After I moved to L.A. in 2008, I got together with a Meetup group that was going to see a screening of “Double Indemnity” (1944) at the ArcLight Theater in Hollywood. I was…
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In the trenches: deep in the heart of Hollywood the rough and tumble world of bargain basement noir thrived for a while
Joan Blair, John Hubbard, “Whispering Footsteps” (1943). Script’s running too long? Grab a handful of pages, rip them out, shoot the sucker! I’m on a Poverty Row tear these days. As you probably know, many of the films made there aren’t quite as polished as the gems turned out by Paramount, Warner Brothers or 20th Century…
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Alton and Mann: A Partnership in Post-War Noir
Dennis O’Keefe, Marsha Hunt, Claire Trevor, “Raw Deal” (1948). They made only a handful of films together, but John Alton and Anthony Mann’s work threw a new light on film noir, police procedural dramas and documentary filmmaking Silhouettes, fog, great pools of inky blackness — that’s a king-sized portion of the visual drama in store…
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Three Films that Set a Noir Mood: How John Alton Helped Define the Light and Shadows of Film Noir
Lynn Bari, Cathy O’Donnell, “The Spiritualist” (1948). ‘It’s not what you light, it’s what you don’t light.’ — John Alton As legend has it, in the summer of 1923…