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Category: Billy Wilder

  • Burn, Hollywood, burn! Four noirs reveal the horrors of the screenwriting trade

    Burn, Hollywood, burn! Four noirs reveal the horrors of the screenwriting trade

    Humphrey Bogart, Gloria Grahame, ‘In a Lonely Place’ (1950). By Paul Parcellin You’ve probably heard that screenwriters get little respect in the big town, and by many accounts that’s true. They labor in isolation, punching out fresh ideas, pouring their deepest emotions onto their pages only to have their hearts broken.  Their masterpieces are rewritten…

  • Scrapped: The Original Opening Sequence of “Sunset Boulevard” was Even Stranger than the Final Cut, and Audiences had a Peculiar Reaction to It

    Scrapped: The Original Opening Sequence of “Sunset Boulevard” was Even Stranger than the Final Cut, and Audiences had a Peculiar Reaction to It

    Erich von Stroheim, William Holden, Gloria Swanson,“Sunset Boulevard” (1950).  Preview audiences were left stunned, oddly amused and utterly confused   Joe Gillis (Holden), a life cut short.   By Paul Parcellin  At the start of “Sunset Boulevard,” hapless screenwriter Joe Gillis (William Holden) floats face-down in a swimming pool with several bullet holes punched into…

  • Two Couples Who Murder: “Double Indemnity” Faces Off Against “Body Heat” — And It’s Not Even Close

    Two Couples Who Murder: “Double Indemnity” Faces Off Against “Body Heat” — And It’s Not Even Close

    Left, Kathleen Turner, William Hurt, “Body Heat” (1981). Right, Barbara Stanwyck, Fred MacMurray, “Double Indemnity” (1944). Warning: Contains Spoilers By Paul Parcellin After I moved to L.A. in 2008, I got together with a Meetup group that was going to see a screening of “Double Indemnity” (1944) at the ArcLight Theater in Hollywood. I was…

  • Ripped From the Headlines: True Crimes Explode onto the Screen in Noir Movies

    Ripped From the Headlines: True Crimes Explode onto the Screen in Noir Movies

    Barbara Stanwyck, Fred MacMurray, “Double Indemnity” (1944) By Paul Parcellin It’s no wonder that Hollywood in the 1940s and ’50s scooped up lurid true crime stories and made hard-hitting, gritty dramas out of them. Following the war, the public’s appetite for rough textured tales could not be surpassed. Cold, savage murders that bled off the…

  • Meet the Press: Bullies, Brutes and News Hounds of Noir

    Meet the Press: Bullies, Brutes and News Hounds of Noir

    Kirk Douglas, Robert Arthur, ‘Ace in the Hole’ (1951). By Paul Parcellin Gossip, Lurid Facts, Scandal Keep the Tabloid Presses Rolling This article contains spoilers, so you may want to see these films before reading any further. When we see a disheveled, groggy Richard Conte breaking into his own office in the middle of the…

  • ‘Double Indemnity’: Two On a Conveyor Belt Toward Doom

    ‘Double Indemnity’: Two On a Conveyor Belt Toward Doom

    Fred MacMurray, Edward G. Robinson, ‘Double Indemnity’ (1944). This article contains many SPOILERS, so if you haven’t seen the film yet be forewarned. By Paul Parcellin In “Double Indemnity” (1944), housewife Phyllis Dietrichson (Barbara Stanwyck) seduces insurance salesman Walter Neff (Fred MacMurray) and gets him to kill her husband. She’s after a big payout from…

  • In ‘Double Indemnity,’ A Stalled Car is a Flash of Genius

    In ‘Double Indemnity,’ A Stalled Car is a Flash of Genius

    Barbara Stanwyck and Fred MacMurray, in ‘Double Indemnity.’  As many times as we pore over “Double Indemnity,” there are still important bits that may be missed. Sometimes that leads to revelations that change our understanding of the film. I’m not talking about the Raymond Chandler cameo that went unnoticed for decades — that was a…