
Elliot Gould, “The Long Goodbye” (1973) One of my favorite neo-noirs is “The Long Goodbye” (1973), Robert Altman’s adaptation of the Raymond Chandler novel of the same title, published 20 years earlier. Altman’s most drastic alteration of Chandler’s opus is placing the story in the 1970s instead of eight years after the end of World…

Wally Cassell, Steve Cochran, Richard Egan, Edward Norris, Robert Webber, ‘Highway 301’ (1950). It’s a wonder that anyone gets through the first few minutes of “Highway 301,” a noir based on the true-life crime wave perpetrated by an outfit called the Tri-State Gang. The film is a taut little thriller that starts off with wooden…

Robert Mitchum in ‘The Friends of Eddie Coyle’ (1973). How Boston labor union muscle terrorized Hollywood film crews No one was quite ready for the grittiness of “The Friends of Eddie Coyle” when it arrived in theaters in 1973. It didn’t look like most films that Hollywood turned out — it had a certain rawness…

John Garfield, Geraldine Fitzgerald and Walter Brennan in ‘Nobody Lives Forever’ (1946). By Paul Parcellin As conmen go, Nick Blake (John Garfield) is more likeable than your average grifter. A bit out of practice, he’s ready to get back into the flim-flam game. But first, he’s got a score to settle. In “Nobody Lives Forever” (1946),…

Brad Pitt and Mike Moh, ‘Once Upon a Time in Hollywood.’ Ever since it hit the screen in 2019 there’s been a lot of talk about Quentin Tarantino’s “Once Upon a Time … In Hollywood,” especially the fight scene between stuntman Cliff Booth (Brad Pitt) and martial arts master and actor Bruce Lee (Mike Moh).…

From left, Det. Ed Exly (Guy Pearce), Det. Bud White (Russell Crowe) and Det. Jack Vincennes (Kevin Spacey). “L.A. Confidential” just had its 25th anniversary and that makes us look anew at the astounding saga of police corruption in the City of Angels, circa 1953. A quarter of a century later the film’s authentic retro look,…

An eyepatch can make a director look like a badass and that’s a good thing in the famously brutal movie biz. Sure, a lot of them are scary enough without a patch, but put a piece of black fabric over an eye and your game is automatically upped exponentially. Cranky, spoiled actors, pushy studio execs…

Turner (Mick Jagger), left, keeps watch over Chas (James Fox) in ‘Performance’ (1970). Just another a drug-induced,decadent, rock ’n’ roll-tinged noir “Performance” isn’t on many “best neo-noirs” lists — absolutely zero that I could find, honestly. Some might say it shouldn’t be mentioned in the same breath as the 1960s crime films that pay homage…

Charles McGraw holds a gun onworrying Peter Brocco in ‘Roadblock.’ On the face of it, “Roadblock” (1951) is a tall tale filled with absurdities. An insurance investigator who can’t conceive of how easily he might get caught if he robs one of his employer’s clients. He’s the same guy who catches perps who rip off…