crimeonfilm.com

  • Whitey Not a Rat? Shelley Murphy on Whitey Bulger

    Whitey Not a Rat? Shelley Murphy on Whitey Bulger

    The James “Whitey” Bulger saga continues, and here’s an interesting interview with reporter Shelley Murphy about the incarcerated 83 year old Boston mob boss. Check out Shelley’s accent — sounds like she’s right out of Southie. Shelley Murphy on Whitey Bulger – RadioBDC blog – Boston.com You may remember that Whitey was on the lam…

  • ‘The Crimson Kimono’: Big Crime in Little Tokyo

    ‘The Crimson Kimono’: Big Crime in Little Tokyo

    Tawdry newspaper headlines bark out plot twists in ‘The Crimson Kimono’ (1959). Director, producer and writer Samuel Fuller photographs the streets of downtown L.A. stunningly in “The Crimson Kimono,“ a film that’s part mystery, part love triangle and part travelogue. We get to see the downtown exteriors, particularly Little Tokyo as it looked in 1959,…

  • Just Desserts for a Bad Apple

    Just Desserts for a Bad Apple

    The Hoodlum (1951) Director: Max Nosseck Writer: Sam Neuman Stars: Lawrence Tierney, Allene Roberts and Marjorie Riordan See the full movie on YouTube, or rent it on DVD. Sometimes a rat gets what he deserves – it just takes a while. “The Hoodlum” begins documentary style with a rundown of anti-hero Vincent Lubeck’s dirty dealings.…

  • Crime Erupts Under the Streets of L.A.

    Crime Erupts Under the Streets of L.A.

    Much of “He Walked by Night” is held together with the loose thread of documentary-style film-making. But those parts are no match or the last 20 minutes or so of the film that prowls the lower reaches of the city. Richard Basehart is the killer who terrorizes L.A. and can’t be stopped. Few have ever…

  • Scene of the Crime (Film) IV: Shock of Recognition

    Scene of the Crime (Film) IV: Shock of Recognition

    If you live in or visit Hollywood you can find lots of buildings used as film exteriors. You might be familiar with the address, such as 77 Sunset Strip, named after the 1950s-60s TV detective show set in Los Angeles, For the record, the building where they filmed the opening sequence and some exterior scenes…

  • Punks, Thugs Rule the City in ‘Crime Wave’

    Punks, Thugs Rule the City in ‘Crime Wave’

    One of the better rediscovered crime films of the past few years is “Crime Wave.” Remember James Ellroy’s top 10 favorite crime films, which we discussed here a few posts ago? As you may remember, “Crime Wave” made the list, and for good reason. It should have come as no surprise when I got ahold…

  • Crime in the New Wild West

    Crime in the New Wild West

    A lot of people say that “No Country for Old Men” is Joel and Ethan Coen’s best film so far. I’d find that a difficult choice to make. But I’ll say that “No Country” is one of my favorites. Javier Bardem has gotten all the kudos for his portrayal of devil incarnate Anton Chigurh —…

  • Their Mileage May Vary: Thundering Down ‘Plunder Road’

    Their Mileage May Vary: Thundering Down ‘Plunder Road’

    I took James Ellroy’s advice — it didn’t come directly from him, you understand — and checked out “Plunder Road,” one of his all-time favorite crime films that was included in Monday’s post. It’s a great-looking, pared-down gritty drama made in 1957, obviously on a small budget. The cast includes the great Elisha Cook Jr.,…

  • High School Noir: Crime is an Extracurricular Activity

    High School Noir: Crime is an Extracurricular Activity

    Brendan (Joseph Gordon-Levitt) makes a secret phone call in ‘Brick’ (2005). It’s remarkable how well life at a typical suburban high school can resemble the plot of a classic film noir. That’s the conceit behind “Brick,” the 2005 Rian Johnson feature he wrote and directed.  High school outsider Brendan (Joseph Gordon-Levitt) searches for his missing…

  • ‘Snatch’: A Well Oiled Machine About … What?

    ‘Snatch’: A Well Oiled Machine About … What?

    Turkish (Jason Statham), Mickey O;Neil (Brad Pitt) and Tommy (Stephen Graham) in ‘Snatch.’ The problem with “Snatch,” Guy Ritchie’s crime drama/comedy that looks at life through the eyes of Turkish (Jason Statham), a London promoter of unlicensed boxing matches, is that the film’s not really about anything. Don’t get me wrong, there’s plenty that happens plot-wise.…